| Death Note | |
|---|---|
 Cover of the first tankōbon for Death Note featuring Ryuk and Light Yagami | |
| デスノート (Desu Nōto) | |
| Genre | Mystery, Psychological thriller, Supernatural thriller |
| Manga | |
| Written by | Tsugumi Ohba |
| Illustrated by | Takeshi Obata |
| Published by | Shueisha |
| English publisher |   Madman Entertainment   Viz Media |
| Demographic | Shōnen |
| Magazine | Weekly Shōnen Jump |
| Original run | December 2003 – May 2006 |
| Volumes | 12 List of volumes) |
| Novel | |
| Death Note Another Note: The Los Angeles BB Murder Cases | |
| Written by | Nisio Isin |
| Published by | Shueisha |
| English publisher | Viz Media |
| Published | August 1, 2006 |
| TV anime | |
| Directed by | Tetsurō Araki |
| Written by | Toshiki Inoue |
| Studio | Madhouse |
| Licensed by | Madman Entertainment Viz Media Warner Bros. Television Manga Entertainment |
| Network | NTV, Animax |
| English network | ABC2 YTV, SCREAM Cartoon Network (Adult Swim) |
| Original run | October 3, 2006 – June 26, 2007 |
| Episodes | 37 List of episodes) |
| Game | |
| Death Note Kira's Game | |
| Developer | Konami |
| Publisher | Konami |
| Genre | Action |
| Rating | CERO: A |
| Platform | Nintendo DS |
| Released |
|
| Game | |
| Death Note: Successor to L | |
| Developer | Konami |
| Publisher | Konami |
| Genre | Action |
| Rating | CERO: A |
| Platform | Nintendo DS |
| Released |
|
| Anime film | |
| Death Note: Relight: Visions of a God | |
| Directed by | Tetsurō Araki |
| Written by | Toshiki Inoue |
| Studio | Madhouse |
| Released | August 31, 2007 |
| Runtime | 130 minutes |
| Game | |
| L the Prologue to Death Note: Spiraling Trap | |
| Developer | Konami |
| Publisher | Konami |
| Genre | Action |
| Rating | CERO: A |
| Platform | Nintendo DS |
| Released |
|
| Anime film | |
| Death Note: Relight 2: L's Successors | |
| Directed by | Tetsurō Araki |
| Written by | Toshiki Inoue |
| Studio | Madhouse |
| Released | August 22, 2008 |
| Runtime | 100 minutes |
Death Note was first serialized in 108 chapters by Shueisha in the Japanese manga magazine Weekly Shōnen Jump from December 2003 to May 2006. The series was also published in tankōbon format in Japan starting in May 2004 and ending in October 2006 with a total of twelve volumes. The series was adapted into live-action films released in Japan on June 17, 2006, on November 3, 2006, and on February 2, 2008. The anime series aired in Japan from October 3, 2006, to June 26, 2007. Composed of 37 episodes, the anime was developed by Madhouse and directed by Tetsuro Araki. A light novel based on the series, written by Nisio Isin, was released in Japan. Additionally, various video games have been published by Konami for Nintendo DS.
Viz Media licensed the Death Note manga in North America and has published all the twelve volumes from the series as well as the light novel. The episodes from the anime first appeared in North America as downloadable by IGN. Viz later licensed the anime series and it aired on Bionix. The live-actions briefly played in certain North American theaters since 2008. However, none of the video games titles have thus far been published in North America.
Several publications for manga, anime and other media have added praise and criticism on the Death Note series. The plot and violence from the story have been praised, noting it to be very interesting. However, the series was banned in China due to various problems people had with children altering their notebooks to resemble a Death Note.
On April 30, 2009, Variety magazine announced that Warner Bros. acquired the rights for the Death Note manga to be adapted into a live-action movie in the United States. Warner Bros. has hired screenwriters Charley and Vlas Parlapanides to adapt the manga into a screenplay. Unlike the Japanese Death NoteAs of May 10, 2010, IMDb has listed the movie under pre-production with a tentative release date in 2011. live-action movie trilogy, the US-version will be directly adapted from the material in the manga and will not follow the storyline of the Japanese movie adaptations.
Light Yagami is a genius high school student who resents the relentless increase of crime and corruption in the world around him. His life undergoes a drastic change when he discovers a mysterious notebook, known as the "Death Note", lying on the ground. The Death Note's instructions claim that if a human's name is written within it, that person shall die, as well as various other rules. Though Light is initially skeptical of the notebook's authenticity, he realizes that the Death Note is real after experimenting with it on criminals. After meeting with the previous owner of the Death Note, a shinigami named Ryuk, Light plans to become a god and establish a new world order by passing his keen judgment on those he deems evil and anyone who gets in his way.
Soon, the number of inexplicable deaths of reported criminals catches the attention of International Police Organization and a mysterious detective known only as "L". L quickly learns that the serial killer, dubbed by the public as "Kira" (キラ?, derived from the typical Japanese pronunciation of the English word "killer"), is located in Japan. He also concludes that Kira can kill people without laying a finger on them and that he is in Japan after using a convicted criminal named Lind L. Tailor, whose capture was kept secret and who was condemned to die at that hour, and pretending Tailor is L so that Kira would kill him. He then reveals this was only being broadcast in the Kanto region of Japan, and that the first Kira killing was of a criminal only broadcast in Japan. Light realizes that L will be his greatest nemesis, and a nuanced game of psychological cat and mouse between the two begins.
L realizes Kira is getting information from inside the task force and sends 12 FBI agents to follow people connected to the Japanese police. Light tricks Raye Penber, his tail, into showing his ID, after which he kills all the FBI agents. Naomi Misora, Raye's fiancee, suspects Kira was one of the people he tailed, but Light finds out and makes her commit suicide using the Death Note.
Noticing Raye Penber's odd behaviour, and the fact that Raye's fiancee is missing, L begins to suspect those Raye Penber was investigating, and places cameras in their homes. Light realises their presence, but continues the killings with help from a minature TV. L finally decides to remove the cameras, and enrolls at the same university as Light. His suspicions grow of Light, but he asks him to join the taskforce.
Misa Amane, another Death Note owner, finds Light, after sending a video in which she claims to be Kira. She possesses Shinigami eyes which allow her to see a person's name and lifespan, but at the cost of half her remaining lifespan to obtain this information. Ryuk offered Light Shinigami eyes but Light declined. Obsessed with Kira after the death of her parents' murderer who was being acquitted for lack of evidence, she devotes herself to helping Light, but is captured by L. Light makes a plan involving renouncing ownership of both Death Notes and all of his memories of them, and turns himself in to L for surveillance, as Rem threatens to kill him if Misa is not freed. Together, Light and L investigate eight people from the company "Yotsuba" who are using a Death Note for their own profit. While arresting the third Kira Higuchi, Light recovers all his memories when he touches the Death Note. Using a death note fragment in his watch, he kills Higuichi thus becoming the owner of the Death Note. He remembers and continues his plan of compelling the former owner of Misa's Death Note, the shinigami Rem, into killing L and his assistant Watari, which causes Rem to lose her life, as a Shinigami is not allowed to purposely extend a human's life. Light then gets her Death Note. Meanwhile, Misa again acquires her memories and the Shinigami eyes from Ryuk.
After L's death, Light is given the position of the "new L" by the Japanese Task Force. Four years later, Near and Mello - two children who were raised to be successors to L in an orphanage founded by Watari - appear, with the goal of finding Kira. In the meantime, Kira has gained much public support, and has contacts. Mello, one of L's successors who has joined the Mafia, kidnaps the Director of the NPA, but after Kira kills him, he kidnaps Sayu Yagami, Light's little sister, as a bargaining chip to get the Death Note. The Japanese Task Force plans to go to Los Angeles to rescue Sayu but ends up losing the Notebook. The Task Force later attempts to retrieve it and succeeds in doing so, they also get Mello's real name due to Sochiro making the deal for Shinigami eyes with Ryuk. However, as a result of an explosion that Mello uses to cover his escape and one of his henchmen, Light's father Soichiro Yagami dies.
Near begins to suspect the second L of being Kira thus causing some members of the Japanese task force to also openly suspect him. Realizing the risk of being caught, Light has Misa give up ownership of her Death Note. He then finds his next successor, Teru Mikami, a strong, almost crazed Kira supporter, who kills Kira's last spokesman - for his greed - who helped Near escape from a crowd of Kira supporters. Mikami later recruits a new spokesman for Kira, Kiyomi Takada, a newscaster and one of Light's former college girlfriends. Teru Mikami and Kiyomi Takada continue killing criminals while Light is unable to do so himself. Kiyomi is later kidnapped by Mello and is forced to kill him with a hidden piece of the Death Note. Light kills Kiyomi by making her commit suicide by setting fire to the location and everything she wrote on, to avoid her implicating him after she uses the note to kill Mello. Mikami, unaware of this action, writes her name in his notebook which is hidden in a bank vault, exposing it to the members of the SPK. Near has it's pages replaced with a fakes and, in a final confrontation with Light, is able to use it to prove that Light is Kira. Realizing that Light had lost, Ryuk writes down Light's name in his own notebook, killing him with a heart attack.
The Death Note concept did not derive from any single source but rather a general concept involving Shinigami and "specific rules."[2] Tsugumi Ohba wanted to create a suspense series because he did not feel that he could have created a fight-style series and that the genre had few suspense series. After publication of the pilot chapter the series was not expected to be approved as a serialized comic by the author who did not consider it to "fit with Jump." Ohba said that when he learned that Death Note received approval and that Takeshi Obata would create the artwork he "couldn't even believe it."[3] Due to positive reactions to the series Death Note[4]
"Thumbnails" were created incorporating dialog, panel layout, and basic drawings, and were sent to the illustrator. The editor reviewed the thumbnails and sent them to back to the illustrator (Obata) with the script set in stone and the panel layout "mostly done." Obata then determined the expressions and "camera angles" and created the final artwork. Ohba concentrated on the tempo and the amount of dialogue, making sure that the text was as concise as possible. Ohba commented that he believed "reading too much exposition" would be tiring and would negatively affect the atmosphere and "air of suspense." Significant artistic license was given to the illustrator who worked on basic descriptions, such as "abandoned building",[5] and this extended to the design of the Death Notes with Obata possessing free rein. Obata originally thought of the books as "'Bible-like'...something you would automatically think was a Death Note." He also felt this design would seem "difficult to use" and instead opted for an easy-to-use college notebook. At a later point the concept of Death Notes looking different from one another, depending on the human era (such as Death Notes in ancient Japan looking like scrolls and Death Notes in medieval Europe looking like The Old Testament) was conceived.[6]
When Ohba decided on the plot he internally visualized the panels while being on his bed, drinking tea, or walking around his house, needing to feel relaxed while visualizing the panels. On many occasions the original draft was too long and needed to be refined various times before the desired "tempo" and "flow" for the chapter was finalised. The writer remarked on his preference for reading the previous "two or four" chapters carefully to ensure consistency in the story.[2]
The typical weekly production schedule consisted of five days for creating and thinking and one day using pencil to insert dialogue into rough drafts; after this point the writer faxed any initial drafts to the editor. The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking. Obata's assistants usually worked for four days and Obata spent one day to finish it. Obata said that sometimes he took a few extra days to color pages and that this "messed with the schedule." In contrast, the writer took three or four days to create a chapter on some occasions, while on others he took a month. Obata said that his schedule remained consistent except when he had to create color pages.[7]
Ohba and Obata rarely met in person during the creation of the serialized manga; instead the two met with the editor. The first time they met in person was at an editorial party in January 2004. Obata said that, despite the intrigue, he did not ask his editor about Ohba's plot developments as he anticipated the new thumbnails every week.[3] The two did not discuss the final chapters with one another and they continued to talk with the editor. Ohba said that when he asked the editor if Obata had "said anything" about the story and plot the editor responded '"No, nothing" [laughs].'[5]
Ohba claims that the series ended more or less in the manner that he intended for it to end; he considered the idea of L defeating Light Yagami with Light dying but instead chose to use the "Yellow Box warehouse" ending. According to Ohba the details had been set "from the beginning."[4] The writer wanted an ongoing plot line instead of an episodic series because Death Note was serialized and its focus was intended to be on a cast with a series of events triggered by the Death Note.[8] 13: How to Read states that the humorous aspects of Death Note originated from Ohba's "enjoyment of humorous stories."[9]
Ohba said that a theme that he wished to express throughout the series was that, "no human has the right to pass judgement on another's actions. No one should play god." He said that he intended Death Note to push an ideology about good and evil, and that Near's statement in Volume 12 about deciding right and wrong came about from his own personal belief.
When the writer was asked, during an interview, whether the series was meant to be about enjoying the plot twists and psychological warfare, Ohba responded by saying that this concept was the reason why he was "very happy" to place the story in Weekly Shōnen Jump.
Ohba was also asked what he considered the most important thing in Death Note, and he responded by saying, "the human whose name is written in this note shall die"; in contrast, Obata responded to the same question by answering "impossible to say.
became a serialized manga series.
Pilot chapter
The Death Note process began when Ohba brought thumbnails for two concept ideas to Shueisha; Ohba said that the Death Note pilot, one of the concepts, was "received well" by editors and attained positive reactions by readers.[4] Ohba described keeping the story of the pilot to one chapter as "very difficult" and he said that he remembered it took over a month to begin writing the chapter. He added that the story had to revive the killed characters with the Death Eraser and that he "didn't really care" for that plot device.[10]Obata said that he wanted to draw the story after he heard of a "horror story featuring Shinigami."[3][10]Jump readers would enjoy reading the comic. Obata said that while there is little action and the main character "doesn't really drive the plot" he enjoyed the atmosphere of the story. He stated that he drew the pilot chapter so that it would appeal to himself.[10]
Ohba brought the rough draft of the pilot chapter to the editorial department. Obata came into the picture at a later point to create the artwork. They did not meet in person while creating the pilot chapter. Ohba said that the editor told him he did not need to meet with Obata to discuss the pilot; Ohba said "I think it worked out all right.
According to Obata, when he first received the rough draft created by Ohba, he "didn't really get it" at first and he wanted to work on the project due to the presence of Shinigami and because the work "was dark." He also said he wondered about the progression of the plot as he read the thumbnails, and if
Adaptation
Tetsuro Araki, the director, said that he wished to convey aspects that "made the series interesting" instead of simply "focusing on morals or the concept of justice." Toshiki Inoue, the series organizer, agreed with Araki and added that, in anime adaptations, there is a lot of importance in highlighting the aspects that are "interesting in the original." He concluded that Light's presence was "the most compelling" aspect; therefore the adaptation chronicles Light's "thoughts and actions as much as possible." Inoue noted that, to best incorporate the manga's plot into the anime, he "tweak[ed] the chronology a bit" and incorporated flashbacks that appear after the openings of the episodes; he said this revealed the desired tensions. Araki said that, because in an anime the viewer cannot "turn back pages" in the manner that a comic reader can, the anime staff ensured that the show clarified details. Inoue added that the staff did not want to get involved with every single detail, so the staff selected elements to emphasize. Due to the complexity of the original manga, he described the process as "definitely delicate and a great challenge." Inoue admitted that he placed more instructions and notes in the script than usual. Araki added that because of the importance of otherwise trivial details, the notes became crucial to the development of the series.[11]Araki said that when he discovered the Death Note anime project, he "literally begged" to join the production team; when he joined he insisted that Inoue should write the scripts. Inoue added that, because he enjoyed reading the original comic, he wished to use his effort.
Manga
Main article: List of Death Note chapters
The Death Note manga series was first serialized in the Japanese manga magazine Weekly Shōnen Jump published by Shueisha in December 2003. The series has since ended in Japan with a total of 108 chapters. Later, the individual chapters were collected into twelve separate tankōbon. In April from 2005 Death Note was licensed for publication in North America by Viz Media,[12] and the first English-language volume was released on October 10, 2005.[13] In February 2008, a one-shot special was released. Set two years after the manga's epilogue, it sees the introduction of a new Kira and the reactions of the main characters in response to the copycat's appearance.[14] Several Death Note yonkoma (four-panel comics) appeared in Akamaru Jump. The yonkoma were written to be humorous. The Akamaru Jump issues that printed the comics include 2004 Spring, 2004 Summer, 2005 Winter, and 2005 Spring. In addition Weekly Shōnen Jump Gag Special 2005 included some Death Note yonkoma in a Jump[10]In addition, a guidebook for the manga was also released in October 13, 2006. It was named Death Note 13: How to Read and contained data relating to the series, including character profiles of almost every character that is named, creator interviews, behind the scenes info for the series and the pilot chapter that preceded Death Note. It also reprinted all of the yonkoma serialized in Akamaru Jump and the Weekly Shōnen Jump Gag Special 2005.[15][16] Its first edition could be purchased with a Death Note themed diorama which includes five finger puppets inspired by Near's toys. The five finger puppets are Kira, L, Misa, Mello, and Near. In North America, 13: How to Read was released on February 19, 2008.[17]
Heroes Super 4-Panel Competition.
[edit] Live-action films
Death Note was adapted into a series of live-action films in 2006. The films were directed by Shūsuke Kaneko, produced by Nippon Television, and distributed by Warner Bros., Pictures Japan. The first film, simply titled Death Note, premiered in Japan on June 17, 2006 and topped the Japanese box office for two weeks, pushing The Da Vinci Code into second place.[18] The first movie briefly played in certain North American theaters on May 20–21, 2008[19] The film was broadcast in Canadian theaters for one night only on September 15, 2008. The DVD was released on September 16, 2008, one day after the Canadian showing.[20] The sequel, Death Note: The Last Name, premiered in Japan on November 3, 2006.[21] It was featured in U.S. theaters in October 2008.[22] A spinoff from the films named L: Change the World was released in Japan on February 9, 2008. It is focused on the final 23 days of L's life, as he solves one final case involving a bio-terrorist group.[23] Two dubbed versions of the film were shown in the United States on April 29 and 30, 2009.[24]Death Note has been optioned for a live-action Hollywood remake. A 2007 article in The StarMalaysia) states that more than ten film companies in the United States expressed interest in creating a remake.
(
[edit] Soundtracks
Main article: Death Note original soundtracks
The music from the anime was composed by Yoshihisa Hirano and Hideki Taniuchi, while the CDs were also published by VAP. The first one was Death Note Original Soundtrack, which was released in Japan on December 21, 2006. It contains music from the series with the first opening and ending themes sung by the Japanese band Nightmare in the TV size format.[29] Death Note Original Soundtrack II was first released in Japan on March 21, 2007. It features the new opening and closing themes by Maximum the Hormone in the TV size format.[30] The third CD, Death Note Original Soundtrack III was released on June 27, 2007. The tracks 1-21 were composed and arranged by Taniuchi, while the tracks 22-28 were composed and arranged by Hirano. The album features one track sung by Aya Hirano, who was also the seiyū of Misa Amane in the anime series. Also appearing on this soundtrack is the ending theme Coda～Death Note, which can be heard at the end of the final episode of the anime as the credits are shown.[31]
[edit] Light novels
A light novel adaptation of the series has been written by Nisio Isin, called Death Note Another Note: The Los Angeles BB Murder Cases (アナザーノート — ロサンゼルスBB連続殺人事件?). The novel was released by Shueisha on August 1, 2006.[32][33] It serves as a prequel to the manga series, with Mello narrating the story of L's first encounter with Naomi Misora during the Los Angeles "BB Serial Murder Case" mentioned in volume 2 of the manga. Beside Naomi's character, the novel focuses on how L works and one of the criminals L has to chase down. Insight was given into Watari's orphanage and how the whole system of geniuses such as L, Mello, Beyond Birthday, Matt and Near were put to work. Viz released the novel in English on February 19, 2008.[34] The film L: Change the World was also adapted into a light novel with the same name on December 25, 2007 by "M",[35] While the novel is similar to the movie, there are many significant changes to the plot (for example, Near is not a Thai boy, but the same Near that appears in the manga). It also reveals more information about L and his past. Viz released it on October 20, 2009.[36][edit] Anime
Main article: List of Death Note episodes
The Death Note anime, directed by Tetsurō Araki and animated by Madhouse, began airing in Japan on October 3, 2006, and finished its run on June 26, 2007, totaling 37 twenty-minute episodes.[37] It begins in the year 2006, instead of 2003. The series aired on the Nippon Television network "every Tuesday at 24:56".[38] The series was co-produced by Madhouse, Nippon Television, Shueisha, D.N. Dream Partners and VAP.[39]In North America, the series has been licensed by Viz for residents in the United States to use "Download-to-Own" and "Download-to-Rent" services while it was still airing in Japan. This move is seen as "significant because it marks the first time a well known Japanese anime property will be made legally available to domestic audiences for download to own while the title still airs on Japanese television."[40] The downloadable episodes contain the original Japanese audio track and English subtitles,[41] and is available through IGN's Windows-only Direct2Drive service.[42] DVDs of the series are also being released,[41] containing both an English dubbed audio track, produced by Ocean Productions, and the original Japanese audio track with optional English subtitles.[43] Viz announced at Anime Expo 2007 that the first DVD was officially released on November 20, 2007, in both regular and special editions,[44] and also confirmed at Comic-Con International 2007 that the first 15,000 copies of each DVD contains collectible figures.[45]
Death Note was slated to make its North American television premiere in Canada on YTV's Bionix programming block on September 7, 2007;[46] however, the show was removed from the schedule at the last minute.[47] The Canadian premiere was pushed back to October 26, 2007, at 10:00 p.m., when it finally premiered. Death Note premiered in the U.S. on October 20, 2007, at 11:30 p.m. on Cartoon Network's Adult Swim,[48] until January 10, 2010, when the contract expired.[49] The last episode aired on Canada's YTV channel on July 4, 2008, and on Adult Swim two days later. YTV took away the show on July 5, 2008, with the last airing being the last episode rerun at 1:30 a.m. ET, as part of YTV moving the Bionix block to a 2-hour only block on Saturdays.[50] The show also streamed online for free on Adult Swim Video, with a new episode available every Saturday afternoon, on the day of its broadcast premiere.[51]
A two-hour animated Death Note Rewrite: Visions of a God' (DEATH NOTEリライト·幻視する神 Desu Nōto Riraito: Genshisuru kami?) TV special aired on Nippon Television in Japan on August 31, 2007, at 8:00 p.m. It is a recap which takes place after the series end, where a Shinigami approaches Ryuk in the Shinigami realm in order to learn more about the human world. Instead, Ryuk tells him of all the events leading up to the last story arc, about Light Yagami and his rival L. Originally, this special was advertised as a retelling told from Ryuk's point of view, but it does not give a different point of view from what was originally told. However, it contains updated dialog, as well as a few new scenes.[52]
The Japanese broadcaster NTV aired the Death Note: Rewrite 2: L's Successors (Death Note Rewrite 2: L o Tsugu Mono) special on August 22, 2008. Like the first special, this new compilation summarized a part of the 2006–2007 television anime series. Specifically, it recounted the final half of the suspenseful supernatural story, including the investigators Near and Mello's confrontations with the vigilante Kira.[53] This version features more updates than the previous one, most notably omission of the mafia plot.
[edit] Video games
A Death Note video game developed and published by Konami for the Nintendo DS, titled Death Note Kira Game (デスノート キラゲーム Desu Nōto Kira Gēmu?), was released on February 15, 2007.[54]Kira Game is a strategy game where the player takes on the role of Kira or L. These are just titles, as any character can be Kira or L. The player will attempt to deduce who their enemy is (Kira will try to uncover L's identity and vice versa). This will play out in 3 phases: Investigation, where the player will discuss the case and clues with other characters; Voting, where each member of the investigation team casts a vote on who they suspect is L or Kira based on the player's performance in the previous phase; L/Kira, where the player can either focus their investigation on one member to see if they are Kira (L part) or force a member off of the team (Kira part).[55] A sequel to the game, Death Note L o Tsugumono (デスノート Lを継ぐ者 Desu Nōto Eru o Tsugu Mono?, literally "Death Note: Successors to L"), was released in Japan on July 12, 2007. The storyline is based on the second part of the manga, featuring characters such as Mello and Near.[55]A third game, L the Prologue to Death Note -Rasen no Trap- (L the proLogue to DEATH NOTE -螺旋の罠- L the proLogue to DEATH NOTE -Rasen no Torappu-?, literally "L the Prologue to Death Note: Spiraling Trap"), was released for the Nintendo DS in Japan on February 7, 2008.[55][56] The player assumes the role of a rookie FBI agent who awakens in a strange hotel and attempts to escape with the help of L, who provides assistance via an in-game PDA. The story is set before the Kira investigation in the original series.[56]
Several characters from Death Note appear in Jump Super Stars and Jump Ultimate Stars, a fighting game featuring a plethora of characters from Shōnen Jump titles. Light, Ryuk and L appear in Jump Super StarsJump Ultimate Stars Misa, Near, and Mello are added as support characters as well.[57][58] as support characters. In
[edit] Reception
As of June 2006, Death Note had sold around twenty million copies in Japan.[59] On December 31, 2008, Comipress reported that the twelve volumes from the series had sold 26,500,000 copies.[60] It was also nominated for Best Manga at the 2006 American Anime Awards but lost.[61][62] In 2007, the first three volumes of Death Note were on the American Library Association's 2007 Great Graphic Novels for Teens Top Ten list.[63] On ICv2's "Top 10 Shonen Properties Q2 2009", Death Note was the third best manga property from North America.[64][65]Various publications for several types of media have commented on the Death Note manga, adding praise and criticism. Anime News Network (ANN) writer Zac Bertschy noted that the difference between Death Note and other manga from the same genre was very big due to the murders the main character (Light Yagami) commits as well as how he hides his identity of Kira. Although Bertchy mentioned some readers from other shonen would be surprised with the dark themes of Death Note, he praised the series for its "great art, great story, compelling characters."[66] Julie Rosato from Mania Entertainment found the story to be very entertaining, having liked Light's development in the story and L's introduction as well as how the latter starts suspecting of the former's identity. Additionally, he praised the story as it is "building a climax" with each detail introduced in the first chapter, making the reader to look forward to upcoming chapters.[67] Briana Lawrence from ANN liked the series' ending as most of the characters from the story were "given a chance to shine" and due to the fact the notebook and other aspects from the series had little importance in the focus of Death Note and now they play a more important part. However, she did not like how the epilogue made no mention of what happens with Misa Amane and how Near and Mello were still treated like parts of L.[68] Shūsuke Kaneko, director of the film versions of the series, said that the manga series "barely touches" pain felt by the Death Note's victims, so he decided to use a different focus with the film series.[69]
Douglas Wolk of Salon said that a rumor circulated stating that the creators intended to create Death Note to last half as long as its actual run; according to Wolk the rumor stated that Ohba and Obata had been persuaded to lengthen the storyline when Death Note's popularity increased. In addition he said that fans wrote "thousands" of Death Note fan fiction stories and posted them on the internet.[70] Carl Kimlinger, in Protoculture Addicts, called Death Note[71]
The anime was also commented with Tom S. Pepirium of IGN saying that Death Note[update] During January from 2007, Oricon made a poll in which they asked Japanese fans from manga and anime which characters from any series they would most like to see in spinoff series. The overall winner from the poll was L, who also ranked first in the women's poll and second in the men's poll. "morally repellent" and said it "presents a worldview that is both shallow and repulsively misanthropic."'s "heavy serialized nature" is what "makes the show so engaging and discussion worthy."[72] Pepirium, saying that translating Death Note is "no small task," said that Stephen Hedley created a dub with "nothing clunky." Pepirium added that Karl Willems, director of the dub, assembled a "stunning voice cast of professionals" with a "solid tone minus some of the cheesy yelling and screaming of other dubs."[73] John Powers of the NPR show Fresh AirLost.[74] It was also listed as the 51st best animated show in IGN's Top 100 Animated Series.[75] finds the show "addicting" and equates its similarity to the American TV series
"Running over thirty-seven 20 minutes episodes, the anime sticks much closer to the manga so takes a far more languid approach to storytelling, better fleshing out the fantastic characters of Light and his nemesis, L. Light in particular is one of the most layered characters to appear in anime in a long time. -Hyper[76]The novelization L: Change the World became the second top selling light novel in Japan during 2008.[77]Another Note and gave it a 9.5 out of 10. Sparrow said that the author understood "what made these characters click so well" and "captures everything that made the manga the compelling read that it is." Sparrow said that fans of Death Note who read Another Note will "find a welcome home" in the Nisio Isin's work that "adds a few more fun layers" to the Death Note franchise.[78] A.E. Sparrow of IGN reviewed the novel
[edit] Banning by People's Republic of China
Early in 2005, school officials in Shenyang, the capital of Liaoning Province (People's Republic of China), banned Death Note.[79] The immediate cause was that students had been altering notebooks to resemble Death Notes and then writing the names of acquaintances, enemies, and teachers in the books.[80][81] The ban was designed to protect the "physical and mental health"[82] of students from horror material that "misleads innocent children and distorts their mind and spirit."[83] Jonathan Clements has suggested that the Chinese authorities acted partly against "superstition" but also against illegal, pirate publishers of Death Note.[84] The ban has been extended to other Chinese cities including Beijing,[82][85] Shanghai and Lanzhou in Gansu[86] Legally published Chinese language versions of Death Note are published in Hong Kong and in Taiwan.[84]Province.
[edit] Copycat crimes and imitations
See also: Copycat crimes and Manga Murder
There have been various copycat crimes around the world which were based on Death Note. On September 28, 2007, two notes written with Latin characters stating "Watashi wa Kira desu", or "I am Kira" (私はキラです watashi wa Kira desu?)[87] were found near the unidentified remains of a Caucasian male in Belgium. The case has been called the "Mangamoord" (Dutch for Manga Murder) in Belgian media. Nothing was found on or near the victim besides these two notes.[88]A senior at the Franklin Military Academy in Richmond, Virginia, United States was suspended after being caught possessing a replica "Death Note" notebook with the names of fellow students.[89]
In South Carolina, U.S. in 2008, school officials seized a "Death Note" notebook from a Hartsville Middle School student. District officials linked the notebook to the anime/manga. The notebook listed seven students' names. The school planned a disciplinary hearing and contacted the seven students' parents.[90]
In Gadsden, Alabama, U.S. two sixth grade boys were arrested for possessions of "Death Notes" that listed names of several staff members and fellow students. According to Etowah County Sheriff's Department Sgt. Lanny Handy, the notebook was found the previous afternoon by a staffer. The students were suspended from the county's schools. The students, their parents, and school officials had met with Handy and a junior probation officer.[91]
In Gig Harbor, Washington, U.S. one middle school student was expelled and three were suspended on May 14, 2008 for having their own "Death Note" books.[92]
